Exhibitions

Alanna Lynch, Gut Feelings, 2016. Performance as part of the exhibition Fraud, Fake and Fame – Goldrausch 2016, St. Johannes-Evangelist, Berlin, Germany.  (photo: Matthias Reichelt)
Fermenting Feminism
14 Sep to 26 Oct 2019
Installation view featuring three large drawings, a video of the artist lying on their back, and three plinths displaying unglazed ceramic forms.
My Fears of Tomorrow Are Melting Away
29 Jun to 10 Aug 2019
installation view of two large grids of photogs on adjacent walls, with a blurred figure observing
Subarctic Phase
27 Apr to 14 Jun 2019
installation view featuring a long narrow shelf topped with steel plates, a video on a dark wall, and small works on paper on a wall
found/held
2 Mar to 13 Apr 2019
Image of a monumental scale black and white drawing in four panels, resembling a lichen
carbon study: walking in the dark
12 Jan to 23 Feb 2019
Still from video performance
Feathers, Ether, Sand, Speech
16 Jun to 4 Aug 2018
installation view of a long stencilled drawing in pink chalk
Nonlocal
21 Apr to 2 Jun 2018
A view from above of a woman laying in bed, with a felt horse on the floor beside her
Warmblood
10 Feb to 31 Mar 2018
black and white print of a woman's face
Some Spontaneous Particulars
9 Dec 2017 to 20 Jan 2018
page of logbook, handwritten list
Twenty-Three Days at Sea, Chapter 2
9 Sep to 28 Oct 2017
installation view of sculptures and photographs in a gallery space
Miss Solitude
22 Apr to 17 Jun 2017
large painting, mostly black
A Terrible Signal
11 Feb to 1 Apr 2017
sculpture made of beads, cedar and hide
Tongues, Echoes
3 Dec 2016 to 21 Jan 2017
porcelain sculptural object installed on a wall
Ascension
10 Sep to 29 Oct 2016
sculptural object on plinth
Three Kinds of Abstraction
30 Jul to 27 Aug 2016
Christopher Boyne, from Geneva, 2015. Studio documentation. Courtesy of the artist.
Twenty-Three Days at Sea, Chapter One
28 May to 16 Jul 2016