ACCESS GALLERY / 222 E. Georgia Street / Tuesday to Saturday 12 to 5pm / More

Exhibitions

gloves made of cellulose hanging on a laundry-line

Current

Fermenting Feminism

Andrea Creamer, Eleonora Edreva & Leo Williams, Alanna Lynch, Sarah Nasby, Walter Scott, and Christine Tien Wang

Curated by Lauren Fournier

14 September to 26 October 2019

14 Dec 2019 to 8 Feb 2020

Installation view featuring three large drawings, a video of the artist lying on their back, and three plinths displaying unglazed ceramic forms.

My Fears of Tomorrow Are Melting Away

29 Jun to 10 Aug 2019

installation view of two large grids of photogs on adjacent walls, with a blurred figure observing

Subarctic Phase

27 Apr to 14 Jun 2019

installation view featuring a long narrow shelf topped with steel plates, a video on a dark wall, and small works on paper on a wall

2 Mar to 13 Apr 2019

Image of a monumental scale black and white drawing in four panels, resembling a lichen

carbon study: walking in the dark

12 Jan to 23 Feb 2019

Still from video performance

Feathers, Ether, Sand, Speech

16 Jun to 4 Aug 2018

installation view of a long stencilled drawing in pink chalk

21 Apr to 2 Jun 2018

A view from above of a woman laying in bed, with a felt horse on the floor beside her

10 Feb to 31 Mar 2018

black and white print of a woman's face

Some Spontaneous Particulars

9 Dec 2017 to 20 Jan 2018

page of logbook, handwritten list

Twenty-Three Days at Sea, Chapter 2

9 Sep to 28 Oct 2017

installation view of sculptures and photographs in a gallery space

22 Apr to 17 Jun 2017

large painting, mostly black

A Terrible Signal

11 Feb to 1 Apr 2017

sculpture made of beads, cedar and hide

Tongues, Echoes

3 Dec 2016 to 21 Jan 2017

porcelain sculptural object installed on a wall

10 Sep to 29 Oct 2016

sculptural object on plinth

Three Kinds of Abstraction

30 Jul to 27 Aug 2016

Christopher Boyne, from Geneva, 2015. Studio documentation. Courtesy of the artist.

Twenty-Three Days at Sea, Chapter One

28 May to 16 Jul 2016